Author: Megan Halpern – Michigan State University, United States

In this paper, I introduce a model of science communication as experience using examples from my work facilitating collaborations among artists and scientists and developing public engagement events and workshops. These examples illustrate three principles for practicing science as experience: experience is cumulative, context matters, and audiences have agency. I investigate the ways approaching science as experience might inform or transform how scientists and science communicators develop projects. Using Dewey’s theory of aesthetic experience, I discuss what it means to express, rather than explain scientific ideas, and how such expressions lead to meaning-making, rather than information retention. The results of these expressions, which Dewey calls expressive objects, invite audiences reflect and interpret meanings. I focus on how to use the experience model in practice, suggesting a process designed to help practitioners explore science communication as an expressive act. Beginning with what Dewey calls impulsions, deep rooted needs to express something that is personally meaningful, the process builds expression iteratively, through interaction with the world and reflection. By focusing on impulsions and expression, the process reorients the act of communicating science from focusing on what audiences need to know or understand to what we, not as scientists or communicators, but as humans, need to say. This reorientation opens space for the ways audiences interpret science communication messages, and for meanings to emerge from the relationship between the expression and the ways it is experienced.

The author has not yet submitted a copy of the full paper.

Presentation type: Insight talk
Theme: Transformation

Author: Megan Halpern – Michigan State University, United States

Co-authors:

  • Hannah Rogers – University of Strathclyde, United Kingdom

This talk will explore growing interest in the new field of art, science, and technology studies, specifically addressing the role of art in science communication. The authors, two editors of Routledge’s forthcoming International Handbook of Art, Science & Technology Studies, will provide an overview of the Handbook, and will describe several well known spheres where art and science communication intersect. Using both historical and contemporary examples, we will discuss the unique insights to be gained by examining art as science communication. First we will describe how artworks can make arguments about scientific ideas. For example, shifts in the ways artists visually represent objects of scientific interest can make arguments about the nature of objectivity or about evolution. Similarly, contemporary works in bioart and environmental art make arguments about our relationship with technology and with nature. Next, we describe how approaches to art and aesthetics can inform science communication. For example, Dewey’s theory of aesthetic experience can help illuminate the aspects of communication that transcend understanding and explanation, offering a few examples of science communication as an act of expression rather than of explanation. Such a theory foregrounds interpretation and meaning making rather than understanding and attitudes. Finally, we will discuss challenges in the ways art as science communication is often conceptualized. Specifically, many STEAM (Science, Technology, Engineering, Art, and Math), science communication, and informal learning programs instrumentalize art, expecting it to explicate or decorate science, or to enhance scientific explanations. Such practices may be novel, but ultimately may undermine the process of science communication. Conversely, when art and science communication interact in productive ways, interactions between the two can give rise to questions about the nature of art and of science.

The author has not yet submitted a copy of the full paper.

Presentation type: Individual paper
Theme: Transformation